The Ship

The Free Trader starship Lydis appears to be making an ordinary run to the Planet Thoth, carrying incense for the great temples of Kartum. And so she is-until a civil war lands her in the middle of a battle between ancient powers and nameless evil, with a Forerunner treasure at its heart.

The Crew

The crew, too, seems normal enough – until you loook closely at two of its members: Krip Vorlund, a man who walks in a body not his own, and his pet, a four-legged beast hiding the mind of Maelen the Moon Singer, a woman whose esper powers can save them all – or bring them to peril and eternal destruction.

The Story

An extraordinary novel of interplanetary adventure in a world where strange and compelling powers of the mind hold sway. Ander Norton has created another fabulous tale that will keep you entralled from the first page to last. Enter once agian into the world of Moon of Three Rings, and let Andre Norton’s magic carry you into the stars…

Excerpt

Lidj had the door open. And, with that, light flashed within. There sat the Throne, facing us squarely. They has not recrated it as yet. Only the cavity in the back was closed again. The captain turned to me.

Well, what is it?”

But in turn I looked to Krip. “Do you feel it?”

He faced the Throne, his face now blank of expression, his dark Thassa eyes fixed. I saw his tongue pass over his lower lip.

“I feel–something–” But his puzzlement was strong.

Both the other Traders looked from one of us to the other. It was plain they did not share what we felt. Krip took a step forward–put his hand to the seat of the Throne.

I cried aloud my protest. But too late. His finger tips touched the red metal. A visible shudder shook his body; he reeled back as if he had thrust his hand into open fire…

Review

Wrestling to keep one’s identity, even for us, ordinary humans, has always been a challenge. How much harder would it be, if you’ve got at least the memories and habits of one or two beings in your brain, and one not even remotely humanoid. This is exactly what Krip and Maelen strive to stay strong against. And compared to all their other problems, one to two personalities is small potatoes.

In the planet of Sehkmet, Krip, Maelen and the crew of Lydis battle, a cryogenized colony of ancient beings who have enormous esper abilities. They can steal your body at will and control your being, but for Krip and Maelen, the fight is even more painful, because having already lost their own bodies once, to know that their current ones can be taken again is terrifying.

For Maelen, she has been body-transferred only one time by her people, the Thassa, as punishment for a grave transgression(which was never mentioned in this book, to my dismay). However, The transfer has, in no way, been easy for her because with her exchange of bodies, her once powerful esper abilities as a renouned Moon Singer have been greatly reduced. And even harder, she has been transferred into the body of a galia (a four-footed animal which seems to be described as more intelligent and affectionately loyal than a dog).

For Krip, he has been transferred two times. Once, when he was greatly injured and Maelen transferred him into the body of a four-footed animal reminiscent of a wolf, and the second time when he was transferred into the body of a Thassa. He has three insticts warring in his brain, to be Krip Vorlund, animal, and Thassa. All intrude, and it is hard to know if his own actions are truly his own, or are they the habits or memories of the Thassa who is more humanoid than the animal, and therefore more dangerous to Krip Vorlund.

For people like Maelen who has survived one body, and for Krip who has survived two, it must be horrifying to realize that with from the power of one mind, their bodies can be taken so easily. The bodies they now reside in have been freely given, and the thought of a forced transference has never occurred to them. However, they are not totally defenseless in their struggle against the Old Ones, remnants of a powerful Precursor race. Because of their esper abilities, they have known that the only way to fight is to keep into their minds, that one important image of themselves. That essence which embodies who they are through all the changing shells. Sadly, their crew mates are not as lucky.

It’s like a fight between David and Goliath. Here you have this mixed crew of aliens and humans, and aside from Maelen and Krip, the rest have only a smidgen of esper abilities. They are almost defenseless, and if it were not for Maelen’s ability to sense the growing dangers around them, they would be even more unprepared than they are now. The plan of the aliens isn’t only abduction of these small group of bodies. Imagine a crew of these Old Ones flying in Space, and like parasites, taking control of one body after another.

As bodies go, I found it interesting how Krip referred to his two other bodies as if they were external casings. He missed them, but the way he spoke sometimes, it is as if, he’s just one mind being contained in a vessel. He reminisces of times when he dwelt in one such former body, as if it were a house long vacated, and he feeling a touch of homesickness for the moment. For Maelen, she misses her Thassa body more, though she hides it well. How can she not? When she was Moon Singer, she was powerful and respected. It is clearly seen she was arrogant as well, and no doubt her arrogance led her to doing something forbidden enough to merit punishment.

Throughout this book, what kept me interested was all the tiny little details that made situations sharper and kept the rhythm on. When things seemed hopeless, they were, and when scenes seemed gray, they just got darker. Krip and Maelen were not the only ones in danger, even the crew were not spared as one of their own, Griss, was brutally ripped from his own body and transferred to the shell of the alien. His terror was seemed so real. The torture of a mind trapped in the dark, unable to move, unable to speak, slowly going crazy, brought home just how painful the experience was. And amazingly enough, there wasn’t too much description, just a few lines here and there to make the experience felt by the reader, but not too much that you feel over-saturated.

Overall, it has been both an insightful(weird/creep), and exciting, read. Despite body-snatching being a frightening idea, wouldn’t it be awesome if we could transfer bodies like ghosts? And to have Precursor races so powerful, it’s frightening, and yet fascinating at the same time. I would love to see this book in a movie. Krip and Maelen would be difficult characters to mimic. 

Today, we had our make-up class for Pol. Sci. 14. Damn, I keep remembering that Pole Science joke my friend keeps bringing up. Anyway, Success! I wasn’t late today, I think Ma’am Gauzon’s getting annoyed with me about that. Going into the classroom, I had to pass by the Silab-Silak tree (we reserved another classroom for the make-up class). It was pretty awkward for me, until I realized that only my batchmates were there and no seniors were around. Awesome, no embarrassed feelings coming up.

After a side-trip to the canteen for some ice cream, I got into class just as it was starting. I “really” feel that Ma’am is getting annoyed with me. She’s not asking me to recite as much as she used to. Well, after that total bust of a first question where I sounded like a complete dunce, who would? I could kick myself.

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Type: TV
Episodes: 50
Status: Currently Airing
Author: Uehashi Nohoko

Synopsis:
There is a war brewing in the peaceful land of the Real King. Erin, the daughter of an Aurolu, is brought into it against her will when the Saigamul and the Duke’s men hear rumours of her ability to control beast-lords and toudas (dragons).

Review:
I’ve been looking around and there have been a lot of reviews of this actually. The one that caught my eye the most said, “if you think this is just a children’s series then watch the first six episodes and we’ll see if you still think the same.”

That was quite true, although in my opinion, the turning point of the story was around the 7th episode. This was the episode where her mother, Soyon, dies. It was pretty heartbreaking, and gave me the first inkling that this wasn’t only a chldren’s tale. Admittedly, if you like watching anime for their art, this wouldn’t be the anime for you. The drawings are simplistic, and there’s a lot of parts where pictures just become abstract. However, I feel that these abstract scenes were done in an effort to draw more emotion to that scene.

I think what it loses in the quality of the art(or the more commercialized style of drawing that most people prefer), it makes up for in the gradual drawing out of the plot. There’s a lot of symbology going on in this series, where even the tiniest detail such as the splitting up of leaves in the stream, combined with two brothers fighting, draws more feeling from the viewers.

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I think this has been one of the most interesting beginnings to a fantasy trilogy I’ve read in a while. It mixes up one of my top ten favorite jobs for a lead character, which is, the Assassin, with a cynical yet somewhat sweet view on life, and a heck of a lot of magic.

Kylar Stern, is actually Azoth, an orphan from the Warrens. The picture he brings to mind is one of those street kids you find living in the most dangerous neighborhoods around the Philippines. Nothing is too cruel or too low that they can’t do it, because the goal is…Survival. Azoth gets himself apprenticed to Durzo Blint, a wetboy, expert poisoner and magic user.

Apparently, there are distinctions between a wetboy and an assassin. An assassin is called an assassin because sometimes he misses, all a wetboy’s got are deaders because they always die.

Pretty arrogant, but I like the pictures it brings to mind. Azoth lives in the Warrens, the place where all losers, prostitutes, thieves, etc…end up, and it’s where they never leave.

I love dark gritty tales, and call me corny, but I also love happy endings. Combine a somewhat cynical-somewhat sympathetic tale and write it well, and I’m sold. Especially where, in here, Azoth is placed in situations where he is forced to choose between his own views on morality, and the views of his master, Durzo Blint, which are completely devoid of selflessness, or even an expectancy on the goodness of people. For Durzo, it’s each man for himself, however, Azoth shows himself to be different from his master and he makes decisions which can only be described as heroic. He tries to save Logan, Durzo, the nobles, and sometimes succeeds. By taking care of Elene, a girl-child he saves from the Warrens, he shows a side of himself that hungers for love.

Azoth. He may be a wetboy, but he hasn’t been swallowed whole by the Warrens just yet.

Another story out of the Liaden Universe, down-and-out Terran spacer Priscilla Mendoza, abandoned and then chased by a dishonest employer, teams up with Val Con’s brother Shan, who really doesn’t have any life-threatening problems until he meets Priscilla.

Betrayal, gunfights, homour, and romance, what’s not to like? Once again, the Liaden Universe features a book with the fast pacing and adventurous space operas reminiscent of the SF series. Priscilla Mendoza, an outcast of her world and sentenced as dead has been betrayed by her shipmates and left in an abandoned warehouse in a rarely docked spaceport. It’s only her luck, and the strange purposes of Shan yos’Galan which throws them together and allows her to seek revenge. However, even that may not be enough because her previous Liaden employer is certainly cunning enough…and crazy enough, to kill both her and Shan yos’Galan off.

This was a pretty fun read, but not really as good as “The Scout’s Progress”, another Liaden book I have. I was expecting something around it’s caliber, however, for an SF book, this doesn’t entirely disappoint. Like I mentioned, the fast pacing and the unexpected twists here and there does spice things up. And the romance peeking from the corners here and there, mostly coming from Shan, but sometimes from Priscilla, does make you turn pages just so you can figure out how they’re progressing in this unexpected tendre they find themselves in.

However, the drawbacks in the book are that the characters aren’t actually fleshed out all that well. Like with Shan, he’s mostly all flash and not enough meat. He blabbers on like a maniac while still making sense, however, he doesn’t really reveal much of his own character. All you get from the man is that he talks like a magpie, is incredibly rich and intelligent, and is half in love with Priscilla.

Priscilla, again, shallow characterization. Most of the time, she’s got no idea that Shan’s in love with her. She mostly gives off the feeling of every man for herself. She’s too closed off to be appropriately reciprocating. The hardest knot to loosen here is the romance angle they were trying to push. C’mon, it was a half-hearted effort at best. If all they were going to do was mention it here and there, then they should’ve just left it off altogether and concentrated on the fights and twists going on around them. All in all, an awkward book, but interesting enough to merit being read, but don’t expect anything more.

Read Excerpt!

It’s even written in our political science books, and it’s used for daily classroom consumption. It’s blazoned their plain as day, Philippine officials need not be experts in a certain field for them to be appointed or voted for said position. The President plays favorites and appoints lackeys for positions they can’t really fill, and we Filipinos vote for presidents whose highest educational accomplishment is a highschool degree, and even that I doubt. Did Estrada really have a highschool degree or did he get kicked out in the middle of it?

How can we have the temerity to complain? When the majority of us vote for the most popular and not the most appropriate, how can we say we’ve made the right decision and vote properly? We’re accomplices in whatever degenerate state our government has become through our unawareness, our general lack of intelligence, and just plain apathy.

I say we should end this. Singapore employs a better system for choosing the right officials. Like a resume, they must have the right qualifications. They must be proffesionals (meaning they have experience and not simple personal charisma), they have certification (meaning they’re actually educated), and they’re experts in that field (meaning they actually know everything about something). When Singapore needs and architect for a position requiring an architect, they don’t pull an actor off of television or the daughter of a previous president with no real experience except ass-kissing for the job.

In return, what do these proper officials get? They get proper compensation. They don’t steal because they are paid right. And they actually do so in the call of public service.

Ever since I’ve taken Political Science classes, I’ve become more depressed and cynical of the possibility that the Philippines will ever rise up from this devolving slump it’s found itself in. It’s all going downhill from where I stand. And with everything falling apart, is it any wonder that Filipinos go looking to other countries for greener pastures. It’s very practical actually. Which would you rather have, a computer with all the components breaking up, making it more expensive to fix than replace, or just get a spanking new model and throw the old one in the trash?

I see so many things that need fixing. I think I’ve even got a list here somewhere. It’s a huge job, but no one seems right for it. We need a repairman of colossal proportions, but unless God sees fit to send us a miracle, we’ll have to make do with these leftover cronies from the days of Martial Law, or better yet, maybe a disease will come wiping all these corrupted old fossils out, leaving all the seats free for new, honest, blood.

Synopsis:

Paul Blart is a mild-mannered, dutiful family man who works as a security guard in a New Jersey mall. For years, he has applied to become a cop, but he always fails the physical exam because he is overweight. One day, a gang of organized criminals put the mall under siege and take hostages. Blart becomes trapped inside, and because of his sense of duty, refuses to leave. He thus becomes the police department’s eyes on the inside and attempts to stop the criminals on his own.

My take on it:

Me, my brother, and my dad are watching Mall Cops right now. It’s that roly-poly dude whose the lead character. His name’s Paul Blart, and wow, they sure are making fun of all the pigeonholes in this one. Paul Blart is a loser. He doesn’t have a cellphone since he prefers “written sentiments”. When he got drunk he tattooed himself with the lochness monster. Even in unconscious non-sobriety, he’s still a loser. You’d at least expect a hula dancing hawaiian girl.

The bad guys are people from the Ex-Games. There’s something very corny and “trying-hard” about having Ex-Games villains. I admit, they look cool, but wow they’re still corny. You’ve also got the requisite Chinese guy, the corn-rowed black girl, the bald dude with the British accent, and the skaterboy with long hair. All other bad guys pale by comparison to the stereotypes.

Even Vek, the all-knowing leader, passes his villain exam with flying colors. Black trenchcoat, evil rhetoric, witty repartee frequently interspersed with complaints of the incompetence of his men. truly, he’s a genius in the making. If you could make fifty more clones of him for fifty more B-movies, you’d get a steady gush of green on your hands.

Back to Blart. There’s something very pitiful about his pining cruch on that wig-selling girl. It’s so pitiful and so wrong that viewers turn evil just by watching it. In seeing this pining love of his, we movie watchers start to grow seeds of evil because we just can’t help but make fun of him in our minds. I’m having ongoing rhetoric inside my head of the idiocy of the situation, and the even greater idiocy of the wig-selling girl if she falls for his dog-kicked-in-the-ass-and-butchered routine.

The movie, is so bad, that by being a comedy, it shines in its very existence. Comedies…”good ones”…are the seed of all evil. Who do you think spawned the world’s greatest serial killers anyway? Mickey Mouse of course. It all started with Disney and his thousand and one ways of killing of his characters. Killing helpless characters, when seen in a comical sense, is actually viewed as okay. From the average person’s moral standpoint, violence is fun, and the comedies with violence in them are the funniest. Just why do you think Scary Movie was able to have so many friggin sequels?

I’ve made my draft, and I’ve seen the ending of my story but I can’t seem to write a good enough beginning. It’s frustrating. Would somebody like to look at this prologue for me?

Prologue

It had been unexpected. At the driest sense of the word, no one had really thought that the Whore Queen would make good on her vow to capture Samorlan. The nation had stood for centuries being the center of the arts and learning. Most importantly, it had the Twined Throne.

Now, screams tore through Samorlan as Reagel, the Whore Queen of Agora, waged war upon it. The dark was permanently lit by the glows of pitch and fire thrown at buildings. Frequently, a burning body could be seen running into the streets, seeking to escape the death trapped in its skin.

You could say that it had been Samorlan’s fault. That, in their arrogance they never thought to consider that, maybe…their twined pairs would not be enough. Samorlan had grown proud in its greatness, as most great kingdoms have the mistake of making. And now, it was time for its fall.

The kingdom was overrun with enemy soldiers pillaging and ransacking buildings. Now all that barred Reagel’s horde of demons and battle-crazed soldiers from Castle were the last few twin’s still standing and the few troops who have been pushed back to the very foot of it. The Queens, themselves, stood at the highest ramparts, using their magic to turn away the arrows and fiery balls from their soldiers. They needed time for one last spell.

The Whore Queen, a former mistress of the now-dead, King of Agora, had made a pact with Lamario, a Dark Sorcerer of the Eighth Circle. For his hordes of afrits and third-level demons, she would give to him a never-ending supply of innocent hearts, even if they were ripped from the very hearts of Agora’s children. There was no end to the avarice in the Whore Queen’s heart.

When the castle had finally been breached, and the demons streamed into its halls, the Queens retreated to the highest tower where they could clearly see Hael and Esael, the Twined Star whose light grew so close together they seemed one. With pleas for the pure power of this pair, they laid a final kiss upon their babies’ heads and spoke one of the oldest words of the North Wind, to spring their children away, far from the danger they now faced, to keep true to their legacy as Samorlan’s Twined Heart, and to one day take back their thrones.

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